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Current Exhibitions

A photo from the exhibition Oblique Views: Archaeology, Photography, and Time

Oblique Views: Archaeology, Photography, and Time

October 25, 2015 through May 7, 2017

For the first time in Oblique Views: Archaeology, Photography, and Time, large prints of Heisey’s stunning images will be paired directly with the Lindberghs’. The exhibition opens October 25, 2015 and runs through May 7, 2017 at the Museum of Indian Arts and Culture.

During 2007 and 2008, flying at alarmingly low altitudes and slow speeds, Adriel Heisey leaned out the door of his light plane, and holding his camera with both hands, re-photographed some of the Southwest’s most significant archaeological sites that Charles Lindbergh and his new bride Anne photographed in 1929.




White House Ruin
White House Ruin is composed of two parts: a larger room block on the canyon floor that rose to four stories high in the back, and another set of rooms built in a rock shelter immediately above. The upper rooms could have been reached from the fourth-story roof of the lower structure. The bulging, stained walls of the rock face above the rock shelter have made the site a favorite photographic subject. Timothy O’Sullivan photographed the site in the mid-1870s, and it has been well photographed ever since, including by Ansel Adams. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.



Galisteo
The village of Galisteo, south of Santa Fe, was established sometime between 1790 and 1816. Prior to the Pueblo Revolt of 1680, perhaps as many as fifteen thousand people lived in a number of very large pueblos in the Galisteo Basin. When the Spanish returned in 1692, the Pueblo Indians left basin communities and joined other pueblos, mostly along the Rio Grande. Sustained colonial use of the basin, beyond the early missions at the pueblos, started in the late 1700s with livestock grazing and the establishment of a military outpost. By 1929 Galisteo Creek was being used to irrigate farmed fields, some of which were laid out in the Spanish fashion in long narrow strips. Two fenced cemeteries can be seen to the left, and the road encircles the church in the center of the photograph—a building that was probably also the center of the village. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.



Santa Fe
Even in 1929, Santa Fe was an art center, the state capital, and a historic community. It was still a town rather than a city, however, and agricultural fields can be seen not far from the Plaza (approximately at the center of the photo), the heart of the social and economic life of the town. The old capitol building can be seen surrounded by trees in the upper center. Trees also mark the Santa Fe River, which forms a wandering diagonal from lower left to upper right. North is to the right in this photograph. Photograph by Charles A. and Anne Morrow Lindbergh, 1929.



Pueblo del Arroyo, Pueblo Bonito, and Chetro Ketl
The minimal shadows cast by cliffs and walls in this photograph show that it, like its matching Lindbergh image of three great houses—Pueblo del Arroyo, Pueblo Bonito, and Chetro Ketl—was taken sometime close to solar noon. Although it’s high summer in a national park, human activity is low, perhaps because of the heat. A few cars are parked or being driven on roads, but the historic buildings, the ongoing archaeological fieldwork, and the ranching infrastructure that made the 1929 photograph so lively are missing. The park service made a conscious decision to remove historic structures, believing that they distracted from the more ancient Chaco period structures and features that the park was established to protect. Park service roads, parking lots, and trails both guide and constrain the visitor experience, and the landscape now appears comparatively barren. Photograph by Adriel Heisey, 2008.