Turquoise, Water, Sky: The Stone and Its Meaning
April 13, 2014 through May 2, 2016
Contemporary Artistic Expressions
Angie Reano Owen of Santo Domingo used Red Mountain turquoise inlaid on shell to create this contemporary cuff (Cat #55381/12, 3.5 by 2.5 inches). The techniques and materials, however, have been used for at least a thousand years by Native Southwestern turquoise artists.
Squash-blossom necklace, 1920–39, Navajo, maker unknown. Silver, Turquoise Mountain turquoise. Museum of Indian Arts and Culture/Laboratory of Anthropology (45626/12). Photograph by Blair Clark.
Turquoise, Water, Sky: The Stone and Its Meaning highlights the Museum’s extensive collection of Southwestern turquoise jewelry and presents all aspects of the stone, from geology, mining and history, to questions of authenticity and value.
People in the Southwest have used turquoise for jewelry and ceremonial purposes and traded valuable stones both within and outside the region for over a thousand years. Turquoise, Water, Sky presents hundreds of necklaces, bracelets, belts, rings, earrings, silver boxes and other objects illustrating how the stone was used and its deep significance to the people of the region. This comprehensive consideration of the stone runs through May 2, 2016.
Ketoh (Bow Guard)
Ketohs, or bow guards, were traditionally worn to protect an archer’s arm from the sting of a released bowstring; today, they are worn as decoration. This ketoh (circa 1912) pairs two glass cabochons with one of real turquoise. So-called Hubbell glass was imported into the region during a period when turquoise was difficult to acquire. Artists used it because it had the right color, but tourists rejected it as “fake.” (Courtesy of the Museum of Indian Arts and Culture/Laboratory of Anthropology. Photograph by Kitty Leaken.)